İngilizce-Türkçe-Almanca sözlük

1. duvara ait.
2. duvara asılan.
3. duvar gibi. i. duvar resmi. duvara yapilmis resim, duvar resmi, fresk. duvar resmi. duvar resmi. s.
4. duvar gibi. i. duvar resmi. Duvara ait. duvar resmi. duvar.
5. duvar gibi; s, duvara ait; duvara yapılan resim, duvar resim, duvar üstünde/duvar gibi; duvara asılan.
6. duvara yapılmış resim. duvar resmi. fresk.
7. duvar resmi.

Etymology : Latin muralis, from murus wall; more at MUNITION
Pronunciation : 'myur-&l
Function : adjective
Date : 1586

---

1. painting on a wall, fresco. of or pertaining to a wall; on a wall; painted on a wall; attached to a wall; resembling a wall. mural\mu"ral\ , a. [f., fr. l. muralis, fr. murus wall. see: mure a wall.].
2. of or pertaining to a wall; being on, or in, a wall; growing on, or against, a wall; as, a mural quadrant. "mural breach." "mural fruit.".
3. resembling a wall; perpendicular or steep; as, a mural precipice.mural circle (astron.), a graduated circle, in the plane of the meridian, attached permanently to a perpendicular wall; -- used for measuring arcs of the meridian. see: circle, n., 3.mural crown (rom. antiq.), a golden crown, or circle of gold indented so as to resemble a battlement, bestowed on him who first mounted the wall of a besieged place, and there lodged a standard.mural of or relating to walls; "mural painting" a painting that is applied to a wall surface [syn: wall painting ].
4. Of or pertaining to a wall; being on, or in, a wall; growing on, or against, a wall; as, a mural quadrant.
5. Resembling a wall; perpendicular or steep; as, a mural precipice. a painting that is applied to a wall surface of or relating to walls; "mural painting".
6. A mural is a picture painted on a wall. a mural of Tangier bay. a painting that is painted on a wall, either inside or outside a building fresco (muralis , from murus ). Painting applied to and made integral with the surface of a wall or ceiling. Its roots can be found in the universal desire that led prehistoric peoples to create cave paintings the desire to decorate their surroundings and express their ideas and beliefs. The Romans produced large numbers of murals in Pompeii and Ostia, but mural painting (not synonymous with fresco) reached its highest degree of creative achievement in Europe with the work of such Renaissance masters as Masaccio, Fra Angelico, Leonardo da Vinci, Michelangelo, and Raphael. In the 20th century, the mural was embraced by artists of the Cubist and Fauve movements in Paris, revolutionary painters in Mexico (e.g., Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros), and Depression-era artists under the sponsorship of the U.S. government (e.g., Ben Shahn, Thomas Hart Benton).